Jan 282013
 

Recent critical trends in media studies have drawn crucially necessary attention to the materiality of media, expanding scholarly attention within the field beyond its early focus on narrative and representation. Questions of storage, inscription, and circulation have become vital avenues of inquiry in relation to both alphabetic and nonalphabetic texts, allowing for a reconsideration of what it means to produce, consume, and possess textual material in a wide range of media, from print codices and digital files to hard drives, servers, and fiber-optic cables. This panel seeks to build upon and extend this focus on materiality through a close consideration of practices such as deletion, erasure, and cancellation, acts that might collectively be termed “negative” textual operations. These practices, while considered relatively infrequently within media and textual studies, have a great deal to tell us about textuality and how we understand it as scholars and as agents within a culture of information. Indeed, attending to these practices raises a range of questions that complement the recent scholarly focus on the materiality of media, posing a framework in which qualities such as absence, removal, residue, blankness, and invisibility become essential criteria for critical analysis as well as for authorial and artistic production.

While the question of deletion and erasure has roots that date back to the early waves of poststructuralist thought, it has new relevance and urgency within a contemporary moment in which textual objects from throughout history seem increasingly permanent and redundant. Whether deletion and erasure serve to distort the public record and bolster state power or to craft an alternate, fugitive history; whether they take place as a result of artistic or authorial intervention, of random error, or of politically resistant counterstrike; they are ripe for a more fully articulated critical and historical context. How might we describe the aesthetics and poetics of deletion and erasure within and across various media forms? What do these practices, and the textual absences they produce, tell us about the materiality of writing and other media? About authorship, visuality, and memory? About how textual artifacts circulate between public and private domains? About the limitations and paradoxes of the archive? About the very ways in which we write the history of media?

This roundtable invites presentations that address questions of deletion, erasure, cancellation, and similar and related practices across all periods, genres, and media: approaches from book history, textual scholarship, media studies and media archeology, sound studies, videogame studies, the digital humanities, and other critical frameworks are all welcome. In order to allow for both a wide diversity of approaches and contributions and a fruitful, in-depth discussion among participants and audience members, participants will be asked to limit their remarks to ten-minute provocations. Please send inquiries and abstracts with short biographies to pbenzon at temple dot edu by March 1.

Jan 112013
 

I’m posting below the text and slides of one of the talks I gave at the recent MLA convention. This talk, “Lost in Plain Sight: Microdot Technology and the Compression of Reading,” was part of a panel on “Reading the Invisible and Unwanted in Old and New Media” that I organized with Mark Sample, Lori Emerson, and Zach Whalen. I really enjoyed presenting with all of them, and the conversation in the Q and A period and on Twitter was fantastic as well.

My contribution to the panel is part of a new project that’s still in formation — it may become part of Deletions, or it may end up as its own piece. Either way, I’d love to hear any comments, suggestions, questions, or other responses — thanks for reading, and enjoy!

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Lost in Plain Sight: Microdot Technology and the Compression of Reading

Before I start my talk in earnest, I want to offer up a little backstory by way of introduction. When I posted my abstract for this talk on my website back in the early fall, I started casually following the traffic on that page, and I noticed something intriguing: in addition to the usual spambots and a sprinkling of anonymous visitors, I found that one visitor had found his or her way to my site from the Department of Defense in Alexandria, Virginia, by searching for the terms “emmanual goldberg and microdot,” which are indeed the topic of my talk.

I felt a strange mix of flattery and paranoia about this, but beyond that I couldn’t help but wonder what someone from the DoD in the early twenty-first century was hoping to learn about an obsolete Cold-War technology, or why, or why they thought they might learn it from a literary scholar, of all people—but then I realized that their project is in many ways the same as mine, and that I and this person, whoever they might be, are strangely intertwined doppelgangers. This is a pretty crowded room for the evening of the first day of MLA, and I don’t see anyone lurking in the back with dark sunglasses and an earpiece, but if you’re here somewhere, I hope you get what you came for. Continue reading »

Atari Archaeology on In Media Res

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Aug 272012
 

My post “Hipster Archaeology” is up today at In Media Res as part of their theme week on Media Nostalgia. This piece builds on work I’ve recently presented at MLA 2012 and ACLA 2012 on questions of digital materiality, archives, trash, and temporality in relation to the Atari video game burial, and comes from a current book project, Deletions: Absence, Obsolescence, and the Ends of Media. Please visit and comment, and be sure to check out the other upcoming posts in what looks to be a great week!

Two Talks at MLA 2013

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Aug 262012
 

I’m giving two talks at the MLA convention in January 2013, one on experimental form and digital labor and one on microdot technology and media history. I’m excited to have the opportunity to present alongside the other speakers at these sessions, some of whom I’ve known for a while and some of whom I’ll be meeting for the first time. Click on the links in “Upcoming Talks” to the right for more information.